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Production Stage Manager
Chandra R.M. Anthenill*

KEIKO GREEN 

(Playwright) Associations: Core Company Member at A Contemporary Theatre; former member of Seattle Repertory Theatre’s Writers Group, Theater Mu New Play Incubator. Productions/development: O’Neill National Playwrights Conference, ACT, Kennedy Center, Ensemble Studio Theatre, National New Play Network, Seattle Rep, Atlantic Theater Company, Cygnet Theatre, Playwrights Realm, others. Honors: Gregory Award for Outstanding New Play, Kilroys’ List Honorable Mention for Nadeshiko, Neukom Award for Playwriting finalist, two-time Blue Ink Prize finalist, Seven Devils Playwrights Conference finalist. Commissions: The Old Globe, ACT, Manhattan Theatre Club/Sloan Foundation, Seattle Shakes. Upcoming: Sharon (Cygnet), Hometown Boy (Seattle Public Theater). Television: “Interior Chinatown” (Hulu). As actor: Denver Center, Seattle Rep, ACT, others. Education: M.F.A. in Playwriting from UC San Diego.

JESCA PRUDENCIO 

(Director) Director and choreographer dedicated to developing new theatrical works that humanize issues nationally and internationally. Recent credits: Dot, Dot, Dot (Theatreworks USA), Bald Sisters (Steppenwolf), King Liz (Geffen Playhouse), It’s a Ship Show!, We Fancy (Virgin Voyages). Other credits: Can We Now?, PDA (La Jolla Playhouse’s WOW Festival), Interstate (Mixed Blood, East West Players), The Great Leap (Steppenwolf), Vietgone, Actually (San Diego Rep), Calling (La MaMa ETC), Man of God (East West Players), A&Q (Pineapple Lab, Philippines), FAN (B-Floor Theatre, Thailand). Film: American Quartet, Birdhouse (forthcoming). Other: Head of Directing at SDSU’s School of Theatre, Television, and Film; inaugural Julie Taymor World Theater Fellow. Education: B.F.A. from NYU Tisch, M.F.A. from UC San Diego. jescaprudencio.com.

Yu SHIBAGAKI

(Scenic Design) (she/her) NYC-based set designer originally from Nagoya, Japan. Recent designs: Villette, Her Honor Jane Byrne (Lookingglass Theatre), 1919 (Steppenwolf Young Adults), Heroes of the Fourth Turning (Studio Theatre), Dishwasher Dreams (Hartford Stage), School Girls; Or, The African Mean Girls Play (Goodman Theatre), I, Banquo, I, Cinna (Chicago Shakespeare Theater), more. Upcoming designs: Lucy and Charlie’s Honeymoon (Lookingglass Theatre), Madama Butterfly (Boston Lyric Opera), more. yushibagaki.com.

HAHNJI JANG 장한지

(Costume Design) (they/them/형 ) Theatre: Man Cave (Page 73), The Most Spectacularly Lamentable Trial of Miz Martha Washington (Hudson Valley Shakespeare Festival), The City’s Missing Them (Working Theater), Mobile Unit’s A Midsummer Night’s Dream (The Public Theater), Sister Mok-rahn (Princeton University), Hurricane Diane (Huntington), Blush (Soho Rep), Men on Boats (Baltimore Center Stage), Here We Are with plays by Regina Taylor, Stacey Rose, Jaclyn Backhaus, DeLanna Studi, Lydia R. Diamond, Khat, Lynn Nottage, Nikkole Salter, Carmelita Tropicana (Theatre for One). Other: staff artist at Soho Rep. hahnji.com.

CHA SEE 

(Lighting Design) From Manila, Philippines. The Old Globe: debut. Off Broadway: You Will Get Sick (Roundabout Theatre Company), The Seagull/Woodstock, NY, One in Two (The New Group), The Fever, Lucy (Audible Theater), Exception to the Rule (Roundabout Underground), What to Send Up When It Goes Down (Playwrights Horizons), Soft (MCC), As You Like It (La Jolla Playhouse), others. Upcoming: Babbitt, Is It Thursday Yet? (La Jolla Playhouse), Wet Brain (Playwrights Horizons), (pray) (Ars Nova), Rent (Paper Mill Playhouse). Training: M.F.A. from NYU Tisch. seelightingdesign.com, @seethruuu. 

FAN ZHANG

(Sound Design) Off Broadway: The Far Country, Paris (Atlantic), At the Wedding (Lincoln Center), This Land Was Made (Vineyard), Snow in Midsummer (Classic Stage), Our Dear Dead Drug Lord (Second Stage/WP), Pumpgirl (Irish Rep), Suicide Forest (Ma-Yi), Molly Sweeney (Theatre Row), Behind the Sheet (Ensemble Studio), The Trail of the Catonsville Nine (Transport Group). Regional: Joy and Pandemic (Huntington), Sanctuary City (Berkeley Rep, Arena Stage), Much Ado About Nothing (Shakespeare Theatre Company), The Most Spectacularly Lamentable Trial of Miz Martha Washington (Steppenwolf), The Great Leap (Portland Center Stage), White Noise (Studio Theatre), Seven Guitars (Yale Rep). Other: head of the sound program at Purdue University. Education: M.F.A. from Yale School of Drama. fanzhangsound.com.

CAPARELLIOTIS CASTING

(Casting) The Old Globe: Exotic Deadly, Under a Baseball Sky, What We Talk About…, Dial M for Murder, Mala, Shutter Sisters, Hurricane Diane, Noura, They Promised Her the Moon, Tiny Beautiful Things, Barefoot in the Park, The Wanderers, Picasso at the Lapin Agile, Skeleton Crew. Select Broadway: Ohio State Murders, Macbeth, The Minutes, Who’s Afraid of Virginia Woolf?, King Lear, Hillary and Clinton, Ink, The Waverly Gallery, The Boys in the Band, Three Tall Women, Meteor Shower, A Doll’s House Part 2, Jitney, The Glass Menagerie, Blackbird, Fish in the Dark, Disgraced, Bengal Tiger at the Baghdad Zoo. Additional theatre: MTC, Signature, Atlantic, Goodman, Vineyard. Television: “New Amsterdam” (NBC), “American Odyssey” (NBC).

CHANDRA R.M. ANTHENILL

(Production Stage Manager) (she/her/hers) The Old Globe: A Midsummer Night’s Dream, Trouble in Mind, Krapp’s Last Tape, What You Are, Tiny Beautiful Things, Globe for All (2017–2022), Dr. Seuss’s The Lorax, A Thousand Splendid Suns, Guys and Dolls, Camp David, The Comedy of Errors. Regional: The Garden, 2020 POP Tour, Junk: The Golden Age of Debt (La Jolla Playhouse), Fun Home, Beachtown, Roz and Ray, Into the Beautiful North, Outside Mullingar, The Oldest Boy, Oedipus El Rey, Honky (San Diego Rep), El Huracán, Mud Row, The Last Wife, Bad Jews, Sons of the Prophet, True West, Fool for Love, Spring Awakening, Assassins, Company (Cygnet), Pippin (Diversionary). 

ANJEE NERO

(Stage Management Swing) The Old Globe (as Production Stage Manager): Come Fall in Love, Almost Famous, The Gardens of Anuncia, The Heart of Rock & Roll, Bright Star, Allegiance, Picasso at the Lapin Agile, Benny & Joon, October Sky, The Rocky Horror Show, Life After, The Wanderers, Ebenezer Scrooge’s BIG San Diego Christmas Show, The Twenty-Seventh Man, A Room with a View, Kingdom, The Tempest, The Winter’s Tale, Be a Good Little Widow, more. Broadway: Bright Star. Regional highlights: Bright Star (Kennedy Center), Fly, Sideways, Ruined, A Midsummer Night’s Dream, Herringbone, The Seven (La Jolla Playhouse), Ruined (Huntington Theatre Company, Berkeley Repertory Theatre), Kiss Me, Kate (Hartford Stage), Venice (Center Theatre Group, Kansas City Repertory Theatre), Antigone (SITI Company). 

barry edelstein (Erna Finci Viterbi Artistic Director) is a stage director, producer, author, and educator. His Globe directing credits include The Winter’s Tale, Othello, The Twenty-Seventh Man, the world premiere of Rain, Picasso at the Lapin Agile, Hamlet, the world premiere of The Wanderers, the American premiere of Life After, Romeo and Juliet, What We Talk About When We Talk About Anne Frank, and, during the pandemic, Hamlet: On the Radio. He also directed All’s Well That Ends Well as the inaugural production of the Globe for All community tour, and he oversees the Globe’s Classical Directing Fellowship program. In addition to his recent Globe credits, he directed The Tempest with the Los Angeles Philharmonic at Walt Disney Concert Hall in 2018, and he will next direct The Wanderers Off Broadway with Roundabout Theatre Company in 2023. As Director of the Shakespeare Initiative at The Public Theater (2008–2012), Edelstein oversaw all of the company’s Shakespearean productions as well as its educational, community outreach, and artist-training programs. At The Public, he staged the world premiere of The Twenty-Seventh Man, Julius Caesar, The Merchant of Venice, Timon of Athens, and Steve Martin’s WASP and Other Plays. He was also Associate Producer of The Public’s Broadway production of The Merchant of Venice starring Al Pacino. From 1998 to 2003 he was Artistic Director of Classic Stage Company. His book Thinking Shakespeare is the standard text on American Shakespearean acting. He is also the author of Bardisms: Shakespeare for All Occasions. He is a graduate of Tufts University and the University of Oxford, where he studied as a Rhodes Scholar.

Timothy j. Shields (Audrey S. Geisel Managing Director) joined The Old Globe as Managing Director in 2017. In his time in San Diego, he has enjoyed becoming involved in the community. He currently serves as a board member of the San Diego Regional Chamber of Commerce’s LEAD program; an advisory board member of the San Diego Downtown Partnership; and Vice President of the Balboa Park Cultural Partnership. He brings to San Diego many decades of not-for-profit theatre experience. He was Managing Director of Princeton, New Jersey’s McCarter Theatre Center (2009-2017); Milwaukee Repertory Theater (1998–2009); and Geva Theatre Center in Rochester, New York (1992–1998). He has also held administrative positions at Children’s Theatre Company in Minneapolis, Denver Center Theatre Company, and McCarter Theatre Center in an earlier period of his career. He served as President of the League of Resident Theatres and as Vice President of the board at Theatre Communications Group. He has been the Chair of the ArtPride NJ board; a member of Milwaukee’s Latino Arts Board; and a board member of the Cultural Alliance of Greater Milwaukee. He holds a B.F.A. in Drama Production from Carnegie-Mellon University in his hometown of Pittsburgh, Pennsylvania.

Casting

Caparelliotis Casting
David Caparelliotis, CSA
Joseph Gery
Elena Sgouros

taking Photos in the theatre

Audience members may take photos in the theatre before and after the performance and during intermission. If you post photos on social media or elsewhere, you must credit the production’s designers by including the names below.

Yu Shibagaki, Scenic Design
www.yushibagaki.com

Hahnji Jang, Costume Design
www.hahnji.com

Cha See, Lighting Design
www.seelightingdesign.com, @seethruuu

Fan Zhang, Sound Design
www.fanzhangsound.com

Please note: Photos are strictly prohibited during the performance. Photos of the stage are not permitted if an actor is present. Video recording is not permitted at any time in the theatre.

This theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the union of professional actors and stage managers in the United States.

The Directors are members of the Society of Stage Directors and Choreographers, an independent national labor union.

This Theatre operates under an Agreement with the International Alliance of Theatrical Stage Employees Local No. 122.

The Scenic, Costume, Lighting and Sound Designers in LORT Theatres are represented by United Scenic Artists Local USA-829, IATSE.

The musicians are represented by the American Federation of Musicians, Local 325 San Diego.

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