Cast and Creative Bios | Measure for Measure
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CHARLIE ALGUERA
(Friar Thomas, Angelo’s Attendant) (he/him) Select theatre: Chiron in Titus Andronicus, Trivelin in Changes of Heart, Demetrius in A Midsummer Night’s Dream, Henry in Next To Normal, Pablo in Sister Act. Development readings: The Last Queen of San Domino, Smelly’s Deli (director), White Devil. (director/playwright) Producer of PBPD Collective’s New Works Festival 2024. Education: The Old Globe/USD Shiley Graduate Theatre Program first-year candidate. B.A. in Theatre from Muhlenberg College. @Charlie_Alguera on Instagram. | |
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ATO BLANKSON-WOOD
(Duke) Broadway: Cabaret, Slave Play (Tony nomination), Hair, Lysistrata Jones. Selected theatre: The Public Works’ Pericles, The Swamp Dwellers at TFANA, Slave Play (Drama League Awards nomination, Lortel nomination), The Total Bent (Drama League and Lucille Lortel Award nominations), and the titular role in Hamlet at Shakespeare in the Park. Film: Detroit, BlacKKKlansman, Worth, The Same Storm. Television: “Monster: Dahmer,” “The Good Fight,” “She’s Gotta Have It,” “When They See Us.” Education: graduate of NYU’s Tisch School of the Arts and the Yale School of Drama. |
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LANCE D. BUSH
(Provost) The Old Globe: August Wilson’s Fences (u/s), Hedda Gabler (u/s), The Comedy of Errors, All’s Well That Ends Well. The Old Globe/USD Shiley M.F.A. Program: Faust(us), Titus Andronicus, Orlando, Tiger at the Gates, Henry VIII. NYC: Iphigenia Among the Taurians (Mabou Mines), Overdose (Playwrights Horizons), Grace’s Birthday (HERE Arts Center). Education: B.A. The New School. The Old Globe/USD Shiley Graduate Theatre Program, second year. @LanceDBush. | |
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TREVOR BUTLER
(Abhorsen) The Old Globe: August Wilson’s Fences, The Comedy of Errors, All’s Well That Ends Well. The Old Globe/USD Shiley Graduate Theatre Program: Faust(us), Titus Andronicus, Orlando, Tiger at the Gates, Henry VIII. Other theatre: Lion u/s in The Wizard of Oz (Alliance Theatre), Shepherd/Dancer in The Nativity (True Colors Theatre), Daddy in The Bluest Eye (Conservatory of Performing Arts). Voiceover: Saint in Rogue Company (video game), Theo in Five Years (Dipsea Audio), Missi0n Complete (Asana). Education: B.F.A. in Theatre Arts from Point Park University’s Conservatory of Performing Arts. @officialtrevorbutler on Instagram.
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JULIETTE CACCIATORE
(The Justice) The Old Globe: Ebenezer Scrooge’s BIG San Diego Christmas Show. The Old Globe/USD Shiley Graduate Theatre Program: Titus Andronicus, Changes of Heart, Faust(us). Whitefire Theatre: Alice Formerly (world premiere). USC: Camino Real, Barbarians, Street Scene, Great Expectations. Honors: Certified Teacher of Fitzmaurice Voicework. Education: B.F.A. in Acting from the University of Southern California. @julietteandrewcacciatore on Instagram. |
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ETHAN FOX
(Froth) The Old Globe: Hedda Gabler (u/s). New York: The Second Woman (BAM), Blood, Sweat, and Queers (Bohemian National Hall), Shylock and the Shakespeareans (New Ohio Theatre), A Midsummer Night’s Dream (The Players Theater), Titus Andronicus (The Gene Frankel), Experiments in Afropessimism (Hi-Arts). The Old Globe/USD Graduate Theatre Program: Titus Andronicus, Wolf Play, Faust(us), Changes of Heart. Honors: Molly Thacher-Kazan Memorial Prize. Education: B.A. in Drama from Vassar College. @3thanfox. |
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MADI GOFF
(Elbow) (they/them) The Old Globe: Bartleby (u/s Nippers, u/s Ginger Snap, performed), The Comedy of Errors, All’s Well That Ends Well, Appropriate (u/s River). The Old Globe/USD Shiley Graduate Theatre Program: Titus Andronicus, Faust(us), Wolf Play, Orlando, Tiger at the Gates, Henry VIII. LA Theatre: Shakespeare UnScripted (Mark Taper Amphitheater), Jane Austen UnScripted (Garry Marshall Theatre), The Groundlings Crazy Uncle Joe Show, Groundlings Sunday Company alumna. Education: The Old Globe and USD Shiley Graduate Theatre Program (Group 38). @msmadig on Instagram. |
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KRISTINA HINAKO
(Mariana) (she/her) The Old Globe/USD Shiley Graduate Theatre Program: Titus Andronicus, Faust(us), Changes of Heart. Regional: Beatrice in Much Ado About Nothing (Endstation Theatre Company), Juliet in Romeo and Juliet (Tennessee Shakespeare Company), Marks in Bull in a China Shop (Kith & Kin Theatre Collective), Titania/Hippolyta in A Midsummer Night’s Dream (Shakespeare Theatre of New Jersey). Education: B.F.A. in Acting from the University of Cincinnati, College-Conservatory of Music (CCM). M.F.A. in Acting, The Old Globe and USD Shiley Graduate Theatre Program, candidate 2027. @kristinahinako on Instagram. |
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stephanie HINCK
(Mariana’s Attendant) The Old Globe: Hedda Gabler (u/s Thea, performed), All’s Well That Ends Well (u/s Helena, performed), Alien Girls, Empty Ride, The Comedy of Errors (u/s). Other theatre: Titus Andronicus, Wolf Play, Faust(us), Orlando, Tiger at the Gates, Henry VIII (The Old Globe/USD Shiley Graduate Theatre Program), Year of the Solar Eclipse (The Wild Project), I Met You On TV (The Tank), Into the Woods (Rauh Studio Theatre). Film/TV: “Do It to Me If You Want” (Official Selection Tribeca Film Festival). Education: The Old Globe/USD Shiley M.F.A. Program second year candidate. Maggie Flanigan Studio Conservatory in NYC. B.S. in Psychology from University of Pittsburgh. @stenck on Instagram. |
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CONNER KEEF
(Barnadine, Gentleman 1) The Old Globe: The Comedy of Errors, All’s Well That Ends Well, Appropriate (u/s). The Old Globe/USD Shiley Graduate Theatre Program: Titus Andronicus, Orlando, Tiger at the Gates, Henry VIII. Regional: Ken Ludwig’s The Three Musketeers (Shakespeare Theatre of New Jersey). National Tour: Caesar in Julius Caesar, Darcy in Pride and Prejudice, Macbeth, Nick in The Great Gatsby (Aquila Theatre). B.F.A. in Acting from Western Kentucky University; M.F.A. in Acting from The Old Globe and USD Shiley Graduate Theatre Program (Group 38). |
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SUSANE LEE
(Gentlewoman 2) The Old Globe: The Comedy of Errors, All’s Well That Ends Well, Empty Ride (u/s, performed), Bartleby (u/s), Alien Girls (u/s). Theatre: Titus Andronicus, Orlando, Tiger at the Gates, Henry VIII (The Old Globe/USD Shiley Graduate Theatre Program), Kim’s Convenience (Laguna Playhouse), Coleman ‘72 (u/s, South Coast Rep). Film/TV: “Madam Secretary,” “Rizzoli & Isles,” “The Mindy Project,” “Snowfall,” “Grey’s Anatomy.” Education: B.S. in Psychology, Minor in Theatre from Duke University and The Old Globe and USD Shiley Graduate Theatre Program second-year candidate (Group 38). susane-e-lee.com, @susanelee on Instagram. |
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Robert Lenzi
(Claudio) The Old Globe: The Hombres. Broadway: Tina: The Tina Turner Musical, Miles Tuck in Tuck Everlasting, South Pacific. Off Broadway: Dogfight, Hello Again. Regional credits include American Psycho (Houston Broadway Theater), Jersey Boys (Papermill Playhouse), The Sound of Music (Ogunquit Playhouse), Cyrano de Bergerac (Guthrie Theater), Soul (Baltimore Center Stage), Assassins (Yale Rep), A Sign of the Times (Goodspeed), Road Show (Chicago Shakespeare Theater). Film: Park Avenue, The Last Airbender, Sex and the City 2, The Happening, The Village. TV: “Monsterland,” “Orange is the New Black,” “Unbreakable Kimmy Schmidt,” “The Good Fight,” “Deception,” “Blue Bloods,” “Clubhouse.” B.F.A. in Acting from Carnegie Mellon University. @bob.lenzi on Instagram. |
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SAM LILJA
(Angelo) Broadway: The Inheritance, The Iceman Cometh. Off Broadway: Measure for Measure (The Acting Company), All Our Children (Sheen Center), Acolyte (59E59). Regional: Romeo and Juliet, The Winter’s Tale (Shakespeare Theatre, DC), The Importance of Being Earnest (Two River Theater), Clarkston (Dallas Theater Center). Film/TV: Mission: Impossible 7, “Billions.” Directing: Elektra (assistant, West End), Oklahoma! (resident, West End). Dialect Coaching (select credits): Moana, Little Women, The Thursday Murder Club, “The Rings of Power,” “The Rookie: North,” “We Were the Lucky Ones,” “New Amsterdam,” Stranger Things: The First Shadow (West End), Harry Clarke (West End), Oklahoma! (Young Vic). Training: Juilliard. samlilja.com. |
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MAX LORN-KRAUSE
(Friar Peter) (he/him) The Old Globe: Powers New Voices: The Valentine Vendetta … The Old Globe/USD Shiley Graduate Theatre Program: Titus Andronicus, Changes of Heart, Faust(us). New York: Hamlet, Rosencrantz and Guildenstern are Dead (The Seeing Place Theatre). Touring: Charlotte’s Web (Theatreworks USA). Select credits: Ithaca Fever (The Cherry Arts), Philadelphia, Here I Come! (On the Verge), Measure for Measure (Ithaca College). Education: B.F.A. in Acting from Ithaca College. M.F.A. in Acting The Old Globe/USD Shiley Graduate Theatre Program (Group 39). |
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KATIE MACNICHOL
(Mistress Overdone) The Old Globe: Hedda Gabler, Twelfth Night, The Winter’s Tale, As You Like It, The Merry Wives of Windsor, The Comedy of Errors, Macbeth, Antony and Cleopatra, All’s Well…, Cyrano, All in the Timing. London: A Chaste Maid in Cheapside (Shakespeare’s Globe). Broadway: The Green Bird, Two Shakespearean Actors. Off Broadway: Cider House Rules, King John, The Food Chain. Regional: The Waverly Gallery (Backyard Renaissance), Fallen Angels (Pasadena Playhouse), The Molière Comedies (Mark Taper Forum), Good People (La Mirada), North Coast Rep, Shakespeare Santa Cruz, Denver Center, Yale Rep, Williamstown, Westport, McCarter. Education: NYU Experimental Theatre Wing. Podcast: Act Like a Mother, @actlikeamotherpodcast. |
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AMELIA PEDLOW
(Isabella) The Old Globe: The Metromaniacs, Red Velvet. Off Broadway: Sign in Sydney Brustein’s Window (BAM); The Metromaniacs, ’Tis Pity She’s a Whore (Red Bull); Pride & Prejudice (Primary Stages); The Liar, The Heir Apparent (CSC); You Never Can Tell (The Pearl). Regional (select): A Doll’s House, Emma (The Guthrie); Dear Jack, Dear Louise (Arena); Love’s Labour’s Lost (Folger); A Midsummer Night’s Dream, The Merchant of Venice (The Shakespeare Theatre DC); Scarlet Letter (Two River); Private Lives (St. Louis Rep); Ether Dome (La Jolla, Hartford Stage, The Huntington); The Glass Menagerie, Hamlet (The Denver Center). TV (select): “The Good Wife,” “Blue Bloods,” “The Blacklist,” “FBI: Most Wanted.” Training: Juilliard. |
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REZA SALAZAR
(Pompey) Broadway: Clyde’s, Sweat. Off Broadway: Oedipus El Rey, Richard II (Public Theater), My Mañana Comes (Playwright’s Realm), The Tempest, Shakespeare: Call and Response (Public Theater’s Mobile Unit). Regional: Goodman, Guthrie, Mark Taper Forum, Arena Stage, the Folger. TV: “Elsbeth” (CBS), “Inside Amy Schumer” (Paramount +), “The Accidental Wolf” (Topic), “Unbreakable Kimmy Schmidt,” “Daredevil” (Netflix), “The Blacklist,” “Believe,” “Law & Order,” “Law & Order: Criminal Intent” (NBC), “Louie” (FX), “The Knick” (Cinemax). Film: Sweet Plantains, A Complete Unknown, The Imperialists Are Still Alive, See Girl Run, The Inquisition of Camilo Sanz. Reza’s one person show, This Is Not An Immigrant Story, developed at the Public Theater in collaboration with Mad Gene Media was selected for the 2025 Ground Floor at Berkeley Rep, Powers New Voices 2026 at The Old Globe, and this fall at the Solo Flights one person theater festival in Aspen, Colorado. |
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CALVIN LEON SMITH
(Lucio) The Old Globe debut! Broadway: Cabaret at the Kit Kat Club (1st Replacement), Fat Ham. Off Broadway: Antigone... (The Public), The Miser (Molière in the Park), The Animal Kingdom (The Connelly), Fat Ham (The Public). Tour: Sweat (Public Theater Mobile National). Regional: Actors Theater of Louisville, Clarence Brown Theater, The Long Wharf Theatre, and others. TV: “The Underground Railroad” (Amazon), “The Deuce” (HBO), “High Maintenance” (HBO). Film: Paper Friends, Benny & James, Better Man. Honors: OBIE Award, Best Cast — Diversity in Cannes, Best Actor in a Short — QWFF. Training: The Juilliard School. |
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BRUCE TURK
(Escalus) The Old Globe: Fifteen productions of Shakespeare, playing Leontes (Craig Noel Award), Claudius, Fool, Parolles, Ford, Grumio, Aguecheek, and more; Broadway: The Green Bird (title role); Juan Darièn. Off Broadway: Titus Andronicus; King John; Pericles. Leading roles at Lincoln Center, Brooklyn Academy of Music, ACT, Portland Stage, Seattle Rep, McCarter, Geva, Two River Theater, La Jolla Playhouse, Denver Center, Cincinnati Playhouse, Goodman, the Shakespeare theatres in DC, New Jersey, and Santa Cruz, Pasadena Playhouse, A Noise Within, Laguna Playhouse, North Coast Repertory, Cygnet (Lehman Trilogy). Tadashi Suzuki’s Acting Company Mito; Hartford Stage Resident Artist; TCG/Fox Fellowship for Distinguished Achievement. Northwestern University. bruceturk.com. |
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SHALYN WELCH
(Sister Francisca) (she/any/all) The Old Globe: Bartleby, The Comedy of Errors, All’s Well That Ends Well, Appropriate. The Old Globe/USD Shiley Graduate Theatre Program: Titus Andronicus, Faust(us), Orlando, Tiger at the Gates, Henry VIII. Chicago: Fun Home (Victory Gardens Theatre), The Kid Thing (Nothing Without A Company, Non-Equity Jeff nomination). Education: B.F.A. Acting, Millikin University; M.F.A. Classical Acting, The Old Globe and USD Shiley Graduate Theatre Program, candidate 2026. |
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KAYCE WILSON
(Juliet) (she/they) The Old Globe: Alien Girls (u/s), August Wilson’s Fences (u/s). The Old Globe/USD Shiley Graduate Theatre Program: Changes of Heart, Titus Andronicus. New York: Spew’s Little Baby (The Tank), Summer School (MCC Freshplay Fest). Regional: Four Little Girls: Birmingham 1963 (Kennedy Center), In the Red and Brown Water (Ellington Theatre). Film/TV: This Will Never Work, “And Just Like That...” Education: B.A. in Theatre Performance from Fordham University, M.F.A. candidate The Old Globe and USD Shiley Graduate Theatre Program. |
VIVIENNE BENESCH
(Director) Old Globe debut. A director, actor, educator, and producer, Vivienne just completed her 10th season as Producing Artistic Director of PlayMakers Repertory Company (PRC) in Chapel Hill, North Carolina. From 2005 to 2016 she served as Artistic Director of the renowned Chautauqua Theater Company in western New York. Recent directing credits include: The Royale (PRC), Summer, 1976 (Studio Theater, D.C.), the world premieres of Bekah Brunstetter’s The Game (PRC), and Noah Haidle’s Birthday Candles (Detroit Public Theatre and then Roundabout Theatre Company on Broadway). Among her many Shakespeare credits as both actor and director, recent favorites include directing Hamlet and playing Lady Macbeth. Honors: Fichandler Award, OBIE Award, Helen Hayes nom. Education: Brown University and NYU’s Graduate Acting Program.
LEX LIANG
(Scenic and Costume Design) The Old Globe: The Merry Wives of Windsor. NYC/Off Broadway: More than 50 productions. Regional: Over 200 productions at Actors Theatre of Louisville; Alliance Theatre; Asolo Repertory Theatre; Cleveland Play House; Cincinnati Playhouse in the Park; Dallas Theater Center; Denver Center; Geva Theatre Center; The Goodman; The Guthrie; La Jolla Playhouse; Long Wharf Theatre; Maltz Jupiter Theatre; McCarter Theater; Oregon Shakespeare Festival; Paper Mill Playhouse; Pasadena Playhouse; Portland Center Stage; Syracuse Stage; Woolly Mammoth, more. Other: Founder and owner of LDC Design Associates serving clients including the Tony Awards Gala, NY Fashion Week, and more. lexliang.com @MrLexLiang.
RUSSELL H. CHAMPA
(Lighting Design) The Old Globe: What We Talk About When We Talk About Anne Frank, The Imaginary Invalid, The Twenty Seventh Man, Rain, The Winter’s Tale, Back Back Back, The Four of Us. Current projects: Girls Chance Music (The Vineyard Theater and ACT), Pictures from Home (Marin Theatre), All My Sons (Berkeley Rep). Broadway: China Doll (Gerald Schoenfeld Theatre); In the Next Room, or the vibrator play (Lyceum Theatre/Lincoln Center Theater); Julia Sweeney’s God Said “Ha!” (Lyceum Theatre). New York: Playwrights Horizons, Theater for a New Audience, The Public Theater, Second Stage Theater, Manhattan Theatre Club, and New York Stage and Film. Regional: The Huntington, Steppenwolf, The Wilma, Trinity Rep, Mark Taper Forum. Opera and Dance: The Dallas Opera, Lyric Opera of Kansas City, Odyssey Opera and Pilobolus. Thanks J+J! PEACE. russellchampa.com.
(Sound Design) (she/her) The Old Globe: Dr. Seuss’s How the Grinch Stole Christmas! (2025, 2024, 2023), The Comedy of Errors, The Janeiad, All’s Well That Ends Well, Ms. Holmes & Ms. Watson – Apt 2B, Henry 6, The Merry Wives of Windsor, Twelfth Night, A Midsummer Night’s Dream, Noura, Tiny Beautiful Things, and The Imaginary Invalid. Regional: Alabama Shakespeare Festival, Alley Theatre, Alliance Theatre, Cincinnati Playhouse in the Park, Cleveland Playhouse, Dallas Theater Center, Denver Center for the Performing Arts, Geffen Playhouse, Goodman Theatre, Huntington Theatre Company, Indiana Rep, La Jolla Playhouse, McCarter, Milwaukee Rep, Northern Stage, PlayMakers Rep, Seattle Rep, South Coast Rep, Studio Theatre, Utah Shakespeare Festival. Education: M.F.A. in Theatre and Dance from UC San Diego. melaniesound.com, @melaniechencole.
(Choreography) The Old Globe: SUDS, The XIXth, The Age of Innocence, All’s Well That Ends Well. La Jolla Playhouse: Most Wanted, Unpublished Works of Billy the Kid. San Diego Rep: Director of SUDS, Everybody’s Talkin: The Music of Harry Nilsson, 33 1/3: House of Dreams, Cabaret, A Christmas Carol, Choreographer of In The Heights, Hairspray, Tommy, Zoot Suit, Corridos Re-mix and many others. Off Broadway: original choreography and musical staging of SUDS and Back to Bacharach and David. Moxie Theatre: wrote and directed The Toughest Girl Alive, Eternally Bad. Artistic Director of the San Diego Ballet, having created over 125 original pieces for the company since its inception.
(Voice and Text) Previous Old Globe coaching credits include August Wilson’s Fences, The Comedy of Errors, All’s Well That Ends Well, Regency Girls, Danai Gurira’s Familiar. Pre-Broadway coaching credits: A Wonderful World: The Louis Armstrong Musical, Ain’t Too Proud. Regional coaching credits: Denver Center for Performing Arts, McCarter Theatre, South Coast Rep, Crossroads Theatre Company, Utah Shakespeare Festival, Oregon Shakespeare Festival, Huntington Theatre, American Players Theatre, Chautauqua Theatre Company, Two Rivers Theatre, Village Theatre, Roundabout Theatre Company. Nathan is the Head of Voice and Speech for The Old Globe/University of San Diego Shiley Graduate Theatre Program. Certified Master Teacher of Knight-Thompson Speechwork and certified teacher of Fitzmaurice Voicework. AEA. nathanccrocker.com.
(Casting) More than 150 productions across the globe, 13 Artios Awards for Casting. Broadway/NYC: Joe Turner’s Come and Gone, Disney’s The Lion King, Chicago, Gotta Dance, Othello, Real Women Have Curves, Wonderful World, Life of Pi, Hadestown, Great Comet 1812, Radio City Christmas Spectacular, 39 Steps, Pippin, La Cage. TV/Film: Netflix, 20th Century Fox, NBC, Lionsgate, Disney Channel. West End/U.K.: Hadestown, Thriller Live, Menier Chocolate Factory. Tours: The Music Man, 1776, Hairspray, Waitress, Urinetown, Finding Neverland, Into the Woods, We Will Rock You. Regional: A.R.T., Berkeley Rep, Alley, Bay Street, Goodspeed, Hollywood Bowl, McCarter, Signature. RWS Global ARC casting. castingbyarc.com, @castingbyarc.
(Production Stage Manager) (she/her) The Old Globe debut. Broadway: The King & I, Bloody Bloody Andrew Jackson, Red. Off Broadway: Liberation, The Refuge Plays, Archduke (Roundabout); Nothing Can Take You From The Hand of God, Regretfully, So the Birds Are, Heroes of the Fourth Turning, The Thanksgiving Play (Playwrights Horizons); Mother Russia (Signature); Office Hour (The Public); In the Body of the World (MTC); LCT, Second Stage, NYTW, The Met, PlayCo, Notch Theatre, and Fault Line. Regional: Long Wharf, A.R.T., Two River, Theatre Aspen, Chautauqua Theater Company (17 seasons). Film: Nellie Bly (short, upcoming). jkplayswithyarn.com.
(Assistant Stage Manager) (he/they) The Old Globe: All’s Well That Ends Well, Empty Ride, This Is Not an Immigrant Story (Powers New Voices Festival). Circus: O, Mystère (Cirque du Soleil), Absinthe (Spiegelworld), Ignite: Return to the Elements (Ignite LLC). Regional: The Untitled Unauthorized Hunter S. Thompson Musical, Put Your House in Order (La Jolla Playhouse), Tenderly: The Rosemary Clooney Musical (North Coast Repertory Theatre), A Kind of Weather (Diversionary Theatre). Touring: Menopause the Musical (GFour Productions). Education: M.F.A. in Stage Management from UC San Diego.
(Assistant Stage Manager) The Old Globe: Hedda Gabler, Noises Off, Regency Girls, Agatha Christie’s Murder on the Orient Express, Henry 6, The Age of Innocence, The XIXth, Come Fall in Love, Trouble in Mind, Hair, Almost Famous, October Sky, Bright Star, more. Regional: House of Joy (San Diego Rep), Home of the Brave, #SuperShinySara, Guards at the Taj, The Orphan of Zhao, The Who & The What (La Jolla Playhouse), The Loneliest Girl in the World (Diversionary), mixtape (Lamb’s Players), White Christmas (San Diego Musical Theatre).
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BARRY EDELSTEIN (Erna Finci Viterbi Artistic Director) is a stage director, producer, author, and educator. His Globe directing credits include Hedda Gabler, The Winter’s Tale, Othello, The Twenty-Seventh Man, the world premiere of Rain, Picasso at the Lapin Agile, Hamlet, the world premiere of The Wanderers, the American premiere of Life After, Romeo and Juliet, the world premiere of What We Talk About When We Talk About Anne Frank, the two-part epic Henry 6, and, during the pandemic, Hamlet: On the Radio. He also directed All’s Well That Ends Well as the inaugural production of the Globe for All community tour, and he oversees the Globe’s Classical Directing Fellowship program. In addition to his recent Globe credits, he directed The Tempest with the Los Angeles Philharmonic at Walt Disney Concert Hall in 2018 and The Wanderers Off Broadway with Roundabout Theatre Company in 2023. As Director of the Shakespeare Initiative at The Public Theater (2008–2012), Edelstein oversaw all of the company’s Shakespearean productions as well as its educational, community outreach, and artist-training programs. At The Public, he staged the world premiere of The Twenty-Seventh Man, Julius Caesar, The Merchant of Venice, Timon of Athens, and Steve Martin’s WASP and Other Plays. He was also Associate Producer of The Public’s Broadway production of The Merchant of Venice starring Al Pacino. From 1998 to 2003 he was Artistic Director of Classic Stage Company. His book Thinking Shakespeare is the standard text on American Shakespearean acting. He is also the author of Bardisms: Shakespeare for All Occasions. His podcast “Where There’s a Will: Finding Shakespeare” was produced by the Globe and Pushkin Industries. He is a graduate of Tufts University and the University of Oxford, where he studied as a Rhodes Scholar.
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TIMOTHY J. SHIELDS
(Audrey S. Geisel Managing Director) joined The Old Globe as Managing Director in 2017, bringing with him a wealth of theatrical experience and a deep commitment to community service. Since his appointment, he has been actively involved in the San Diego community, currently serving as an executive committee member of the board of the Balboa Park Cultural Partnership; as a member of the City of San Diego’s Balboa Park Committee; and as an advisory board member of the San Diego Downtown Partnership, following his term as a board member of the San Diego Regional Chamber of Commerce’s LEAD program. In his over four decades of service to non-profit theatres, Shields has held several prominent positions. He was the Managing Director of Princeton, New Jersey’s McCarter Theatre Center from 2009 to 2017, and held the same role at Milwaukee Repertory Theater from 1998 to 2009, and at Geva Theatre Center in Rochester, New York, from 1992 to 1998. Additionally, he has held administrative roles at the Children’s Theatre Company in Minneapolis; the Denver Center Theatre Company; and earlier at McCarter Theatre Center. He has been a significant figure in the non-profit theatre field, serving as President of the League of Resident Theatres and as Vice President of the board at Theatre Communications Group, and as a grant panelist for the National Endowment for the Arts. Other notable roles include being the co-founder and President of Theatre Wisconsin; a member of Milwaukee’s Latino Arts Board; the Chair of the ArtPride NJ board; and being a board member of the Cultural Alliance of Greater Milwaukee. Tim holds a B.F.A. in Drama Production from Carnegie Mellon University in his hometown of Pittsburgh, Pennsylvania and remains to this day a die-hard fan of the Steelers and Pirates. |
TAKING PHOTOS IN THE THEATRE
Audience members may take photos in the theatre before and after the performance and during intermission.
Please note: Photos are strictly prohibited during the performance. Photos of the stage are not permitted if an actor is present. Video recording is not permitted at any time in the theatre.


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