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ENSEMBLE

There will be one 15-minute intermission. 

Production Staff

Fight Consultant Jake Millgard

Assistant Director Kian Kline-Chilton

Associate Scenic Design Riw Rakkulchon

Assistant Scenic Design Eileen McCann

Assistant Costume Design Katie Knox

Associate Lighting Design Jason Bieber

Assistant Lighting Design Joel Britt

Stage Management Swing Jess Slocum*

Stage Management Intern Jamie Boyd

Stage Management Intern Alex Walker

Dance Captain Cassia Thompson*

Fight Captain Savannah Faye†

*Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States.
†Student in The Old Globe and University of San Diego Shiley Graduate Theatre Program.
Henian Boone, Becca Lustgarten, Jeffrey Rashad, and Jude Tibeau appear in this production courtesy of Actor’s Equity Association.

Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa.
If you would like a synopsis of this production in English or Spanish, please request it from an usher.

THE TAMING OF THE SHREW CAST AND CREATIVES

	HENIAN BOONe (Vincentio, Ensemble) The Old Globe/USD Shiley M.F.A. Program: The Skin of Our Teeth, Henry IV, Part I, Detroit ’67, A Midsummer Night’s Dream. Regional: Ragtime (Diamond Head Theatre), Darius and Twig (The Kennedy Center), Choir Boy (Studio Theatre), Hurt Village (Ira Aldridge Theater), The Wizard of Oz (Adventure Theatre MTC). Education: British American Drama Academy, Collaborative Arts Project 21, B.F.A. in Acting from Chadwick A. Boseman College of Fine Arts at Howard University. HenianBoone.com.
	Brett Cassidy (The Company) (he/they) Broadway: swing, dance captain in Jagged Little Pill. Regional theatre: Alien/Nation (Williamstown Theatre), Jagged Little Pill (ART). Off Broadway: As Much I Can (movement direction; Public). Music videos: “Woman” by Mumford & Sons, “Only Human” by Jonas Brothers, “Drowning” by Amanda Palmer. Concert dance: Reggie Wilson, Raja Feather Kelly, Stefanie Batten Bland, Kristin Sudeikis, Ralph Lemon. Honors: Dance Magazine’s “25 to Watch,” Bessie Award nomination. Education: B.F.A. in Dance from Florida State University. @brownyeman.
	jacqui dupré (The Company; Assistant Musical Stager/Additional Choreographic Reconstruction) Broadway: Wicked. National tours: Wicked, West Side Story. International: tour of West Side Story. Regional: West Side Story (as Associate Choreographer; John W. Engeman Theater). Other New York credits: Christmas Spectacular (Radio City), Tony Awards with James Corden. @itslaurencannon.
	Armando Durán (The Company) Broadway: King Kong: Alive on Broadway, Wicked (Chistery, Broadway, LA, first national tour), On the Town, West Side Story revival. Off Broadway: Brigadoon (NY City Center), Nikolai and the Others (LCT). Regional: Jerome Robbins’ Broadway, West Side Story (Muny), Tommy Djilas in The Music Man (TUTS). Television: Halston, Christopher Chadman in Fosse/Verdon, “Dancing with the Stars,” Flesh and Bone, “America’s Got Talent.” Dance company: Twyla Tharp Dance, Complexions Contemporary Ballet, Barak Ballet. @pjchursin.
	savannah faye (The Company) The Old Globe: Dancing in the Dark. Broadway: Chicago (Roxie Hart), A Chorus Line (standby Cassie/Sheila), Sweet Charity (Rosie, u/s Charity), Oklahoma!, Thou Shalt Not (u/s Thérèse Raquin), Fosse (trumpet solo, filmed for PBS’s “Great Performances: Dance in America”). National tours: Movin’ Out (Brenda), Chicago (Roxie Hart), Thoroughly Modern Millie, Applause. New York Stage and Film: In Your Arms. Concert dance: The Feld Ballet. Television: “Guiding Light” (Andrea Daniels), “Smash” on NBC. @dycro33 on Instagram.
	komi m. gbeblewou (The Company) Off Broadway: This Ain’t No Disco (Atlantic). National tours: Mungojerrie in Andy Blankenbuehler’s Cats revival, Michael Wormwood in Matilda, Angel in Kinky Boots, LeFou in Beauty and the Beast. Regional: Cats, Matilda (The Kennedy Center), South Pacific (Maltz Jupiter Theatre), La Cage (The Wick), Gypsy (Harbor Lights Theater Company). Film: Cyberlesque (as director), Mishandled directed by Samantha Marie Ware (as choreographer). Web series: “Daydream” directed by Joey the Alchemist, “PennyWildWednesdays.” @tonydalelio.
	felicity jones latta (The Company) Broadway: King Kong (King’s Company, OBC). The Metropolitan Opera: Fire Shut Up in My Bones, Porgy and Bess, La Traviata. Television/live performance: “Saturday Night Live,” “The Tonight Show with Jimmy Fallon,” “The Tony Awards,” “Dancing with the Stars,” “Pose,” “Macy’s Thanksgiving Day Parade,” Target, Hermès, Swarovski. Theatre: I Married an Angel (City Center Encores!), Memphis (Riverside Theatre), Hairspray (Dallas Theater Center). Honors: Chita Rivera Award for Outstanding Ensemble, Outer Critics Circle Award for Special Achievement. Education: Loyola Marymount University in Los Angeles. @jovan_dansberry.
	camilla leonard (The Company) Broadway: Nini understudy, DC, swing in Moulin Rouge! The Musical! (OBC). Off Broadway: Revolution… (Minetta Lane). Tours: Peggy/Maria understudy, DC, swing in the first national tour of Hamilton (OC), Alex Owens in Flashdance The Musical. Regional: West Side Story (Carnegie Hall), Anita in West Side Story (John W. Engeman, Pennsylvania Shakespeare Festival, Orlando Shakespeare Festival), Anita in West Side Story (Opera Australia; Helpmann nomination), Phyllis Dale in 42nd Street (Arts Center of Coastal Carolina), The Pajama Game (Gallery Players), The Music Man (John W. Engeman). Representation: CESD. @karlidinardo on Instagram.
	becca lustgarten (The Company) Broadway/Off Broadway: The Cher Show (Dark Lady, u/s Georgia; 2019 Chita Rivera Award winner), Trip of Love (u/s Jennifer), On the Town (u/s Ivy), Gigi. Tours/regional: Smokey Joe’s Cafe (Arena Stage), Come Fly Away (Helen Hayes nominee), A Funny Thing Happened on the Way to the Forum, Dirty Dancing, Dirty Rotten Scoundrels, Fosse. Film/television credits: Isn’t it Romantic, “Smash,” Company, “The Tonight Show with Jimmy Fallon,” “Last Week Tonight.” @ashleyblairfitzgerald.
	orville mendoza (The Company) Broadway: Chino in West Side Story, Bottle Dancer in Fiddler on the Roof, Sniper in Newsies. Tours: dance captain, swing in the first national tour of Hamilton. Film/television: Junior/Shark in Steven Spielberg’s West Side Story, Twin Lost Boy in Peter Pan Live!, Mike in the Newsies film. Training: The Gold School (dance), Deric Rosenblatt (vocal), Brian Carter (acting). @J_dawg87 on Instagram.
	jesse j. perez  (The Company) (he/him/his) Broadway: West Side Story (2009 revival OBC), Legally Blonde (OBC), Sweet Charity (2005 revival OBC), Wicked (Chistery, OBC), The Music Man. Off Broadway/regional: Bull Durham, West Side Story, Miss Abigail’s Guide, The Seven. Film/television: I’m Not Gay, Either Side of Midnight, “One Dollar,” Ma, “Odd Mom Out,” “Blue Bloods,” “Power,” Winter’s Tale, Knucklehead, Sex and the City 2, “Smash,” “Modern Love.” Training: Ted Sluberski (acting), School of American Ballet (The Rudolf Nureyev Foundation Scholarship). @therealmannyherrera on Instagram and TikTok.
	jeffrey rashad  (The Company) Broadway: King Kong (OBC). National tour: Hamilton (Phillip Tour). Regional/international: world premiere of The Prince of Egypt. Television: “Super Bowl LV Halftime Show” with The Weeknd, “Pose” (FX), “Succession” (HBO). Concert dance: dancer with Ailey II, performed with Jeremy McQueen’s The Black Iris Project for Ballet Across America at The Kennedy Center. Honors: Chita Rivera Award (Outstanding Ensemble), Bill and Melinda Gates Millennium Scholar, Glorya Kaufman Dance Scholar. Education: B.F.A. in Dance from The Ailey School/Fordham University at Lincoln Center. @gabehyman.
	bernadette sefic (The Company) Broadway: Cats. Regional: Freddie Falls in Love (The Joyce). Film/television: Cats, Fosse/Verdon, “Last Week Tonight with John Oliver.” Music videos: “Rebound” by Tayla Parx, “Boo Riley” by Boo Riley. Education: The Juilliard School. @KoltonKrouse on Instagram, Twitter, TikTok.
	cassia thompson (The Company) Broadway/New York: Wicked (North American tour), Christmas Spectacular (Radio City). Television: Fosse/Verdon, “Fox’s New Year’s Eve with Steve Harvey” (as assistant choreographer). Education: B.F.A. from Marymount Manhattan College, Springboard Danse Montréal. @mattildalove_.
	jude tibeau (The Company) National tour: Hamilton. Off Broadway: This Ain’t No Disco. Regional: In the Heights (Engeman), After Midnight (NCL). Education: B.F.A. in Contemporary Dance from UNC School of the Arts. @krystalmackie on Instagram.
	john tufts (The Company) The Old Globe: debut. Broadway: Wicked, Women on the Verge of a Nervous Breakdown (OBC), West Side Story (2009 revival OBC). Regional: Kiss My Aztec (La Jolla Playhouse, Berkeley Rep), Hair (Hollywood Bowl), Christmas Spectacular (Radio City). Concerts: The Beyoncé Experience (world tour), A Broadway Celebration at the White House, Sondheim! The Birthday Concert. Television: “The Blacklist,” “Tommy,” “Jack Ryan,” “Empire,” “Blue Bloods,” “NCIS: LA,” “Criminal Minds,” “One Bad Choice,” “Smash.” B.F.A. in Dance from NYU Tisch School of the Arts. @iamyanimarin.
	james udom (The Company) Broadway: West Side Story. National tour: Fiddler on the Roof. Dance companies: Gallim, Madboots Dance, Rashaun + Silas, Stefanie Batten Bland. Music video: “Rare Changes” by Mayer Hawthorne. Honors: Dance Magazine’s “25 to Watch.” Education: B.F.A. in Dance from NYU Tisch. @nandomorland on Instagram.
	nathan vanatta (The Company) Broadway: Aladdin (OBC), Moulin Rouge! (OBC). Tours: The Color Purple, Roman Holiday. Off Broadway: Sweet Gwen Suite (NY City Center), Freddie Falls in Love (Signature), American Dance Machine (The Joyce). Regional: Tommy, In the Heights (Kennedy Center), Memphis (TUTS), Evita (Flat Rock Playhouse), Sweet Charity (Engeman). Film/television: “Marvelous Mrs. Maisel” (season 3, episode 1), Rent: Live, “Z: The Beginning of Everything,” “Vinyl,” “The Knick.” Education: B.F.A. in Dance from New York University. @kmr8787 on Instagram.
	maggie walters (The Company) Film/television: In the Heights, Cats, Birds of Paradise, “ZIWE,” Halston. Off Broadway: Sleep No More (The McKittrick Hotel), The Lucky Ones (Ars Nova), You’ll Still Call Me by Name (Jacob’s Pillow). Regional: The Scarlet Stone (La Jolla Playhouse). Music videos: “Cry, Cry, Cry” by Coldplay, “Win It” by Lola Kirke, “Stop Making This Hurt” by The Bleachers. Companies: Cedar Lake Contemporary Ballet. Honors: Presidential Scholar in the Arts, Dance Magazine’s “25 to Watch,” NFAA YoungArts Modern Dance winner. Education: Booker T. Washington HSPVA, Dance Industry, NYU Tisch School of the Arts.
	deborah ann woll (The Company) Broadway: Angels in America, Cats, Finding Neverland, Wicked, Come Fly Away, Guys and Dolls, The Times They Are A-Changin’, Movin’ Out (also National Theatre; Helen Hayes Award for Outstanding Lead Actor), Footloose. Off Broadway: Brigadoon (City Center), The Wild Party (MTC). Dance companies: Twyla Tharp, Complexions, Cedar Lake, David Parsons, Mia Michaels. Film/television: Winter’s Tale, “SNL,” “VMAs.” Choreography: Celestia (The STRAT; 2019 Best of Las Vegas Award for Best New Show), Pride and Prejudice (Rep of St. Louis), Step One Dance Company (RWS), “AhHa” by Nate Ruess (music video). Associate choreography: Celine Dion’s A New Day (Colosseum). Co-owner: The Fête, a production company in upstate New York.

Shana Cooper 

(Director) Credits: shows spanning classics and new work across the country; Theatre for a New Audience, The COOP, Oregon Shakespeare Festival, Chicago Shakespeare, ACT, Yale Rep, Court Theatre, Studio Theatre, Seattle Rep, Cal Shakes, American Players Theatre, PlayMakers Rep. Other: Assistant Professor at Northwestern University’s Directing M.F.A. program (2017 – present), Woolly Mammoth Company Member (2016 – present), Associate Artistic Director of Cal Shakes (2000–2004), Co-Founder of New Theater House (2008 – present). Honors: 2014 Leadership U Grant, 2010 Princess Grace Award, Drama League Stage Directing Fellowship. Upcoming: All’s Well That Ends Well (Chicago Shakespeare Theater). Education: M.F.A. from Yale School of Drama. shanacooper.com.

Wilson Chin 

(Scenic Design) The Old Globe: Shutter Sisters, Tiny Beautiful Things, Ken Ludwig’s Baskerville, Rich Girl, Othello, The Winter’s Tale, Anna Christie (Craig Noel Award nomination). Broadway: Pass Over (Lortel Award nomination), Next Fall. Off Broadway: Cost of Living (Manhattan Theatre Club), Wild Goose Dreams (The Public Theater, La Jolla Playhouse), The Thanksgiving Play (Playwrights Horizons), Teenage Dick (Ma-Yi Theater Company, The Public Theater), My Mañana Comes (The Playwrights Realm). Opera: Lucia di Lammermoor (Lyric Opera of Chicago), Eine Florentinische Tragödie/Gianni Schicchi (Canadian Opera Company; Dora Mavor Moore Award). Film/television: Pass Over directed by Spike Lee, “Blindspot” (NBC). @wilsonchindesign.

Ásta Bennie Hostetter 

(Costume Design) Recent work: Gnit (Theatre for a New Audience). Favorite New York world premieres: Mrs. Murray’s Menagerie (Mad Ones), Usual Girls (Roundabout Underground), Dance Nation, Men on Boats (Playwrights Horizons), The Wolves (Lincoln Center), John (Signature). Regional: Goodnight Nobody (McCarter), A Midsummer Night’s Dream (Cal Shakes), The Curious Incident of the Dog in the Night-Time (KC Rep), El Coquí Espectacular (Two River). Upcoming: directing the September world premiere of Julia Jarcho’s Marie It’s Time at HERE Arts Center with her company minor theater. Member: USA 829, Target Margin, The Mad Ones. 

Stephen Strawbridge 

(Lighting Design) The Old Globe: Romeo and Juliet, As You Like It, Much Ado About Nothing, Hamlet, King Richard II, Double Indemnity, Othello, The Two Gentlemen of Verona. Over 200 productions on and Off Broadway, regionally, and at most major U.S. opera houses. International: Bergen, Copenhagen, The Hague, Hong Kong, Linz, Lisbon, Munich, Naples, Sao Paulo, Stratford-upon-Avon (Royal Shakespeare Company), Stockholm, Vienna, Wroclaw. Awards/nominations: American Theatre Wing, San Francisco Bay Area Theatre Critics Circle, Connecticut Critics Circle, Dallas-Fort Worth Theatre Critics Circle, Drama Desk, Helen Hayes, Henry Hewes Design, Lucille Lortel. Other: Chair of the Lighting Program at David Geffen School of Drama at Yale.

Paul Peterson 

(Sound Design) The Old Globe: over 100 shows, including Dr. Seuss’ How the Grinch Stole Christmas!, The Brothers Size, Nobody Loves You, Kingdom, Hold Please, Restoration Comedy, Pig Farm, Moonlight and Magnolias, Lucky Duck, The Intelligent Design of Jenny Chow, Blue/Orange, Time Flies, Pentecost, Compleat Female Stage Beauty. Regional: Milwaukee Repertory Theater, San Jose Repertory Theatre, Center Stage, La Jolla Playhouse, Sledgehammer Theatre (Associate Artist), San Diego Repertory Theatre. Radio plays: Hamlet: On the Radio. Podcasts: Gather Round, Cocktails with the Canon. Education: B.A. in Drama with an emphasis in Technical Design from San Diego State University.

Paul James Prendergast 

(Original Music and Sound Design) Broadway: All the Way, The Great Society. Regional: Oregon Shakespeare Festival (25 productions), Guthrie, Seattle Rep, Arena Stage, Mark Taper Forum, South Coast Rep, Long Wharf, Geffen, Hartford Stage, Cal Shakes, Berkeley Rep, American Conservatory, American Repertory, La Jolla Playhouse, Alley, Alliance, Kennedy Center, Cincinnati Playhouse, Baltimore Center Stage. Commercial work: extensive theme park and museum installations, multiple national tours with Diavolo Dance Theater. Awards: Grammy, Drama Desk nominations; BroadwayWorld, Ovation, Drama-Logue, Garland, Gregory, Footlight, Gypsy Awards. Other: work as a singer/songwriter has appeared in films, on recordings, and in music venues nationwide.

Tiffany Rachelle Stewart 

(Movement Consultant) Broadway: The Curious Incident of the Dog in the Night-Time. Off Broadway: Twilight: Los Angeles, 1992 (Signature), Sugar in Our Wounds (MTC), Pericles (Public), Julius Caesar (TFANA). Regional: The House That Will Not Stand (Berkeley Rep, Yale Rep), The Winter’s Tale (Alley), Animal Farm (Baltimore Center Stage, Milwaukee Rep), Vera Stark (Alliance), Love’s Labour’s Lost, The African Company Presents... (Oregon Shakespeare). Television/film: “The Blacklist,” “Law & Order: SVU,” “Black Rose,” “All My Children,” “Royal Pains,” Hotel Pennsylvania. Awards: NYTVF Best Actress in a Drama for “Black Rose,” AUDELCO for Outstanding Ensemble for Sugar in Our Wounds, Lortel nomination for Twilight: Los Angeles, 1992. Education: M.F.A. in Acting from Yale.

Ursula Meyer 

(Voice and Text Coach) The Old Globe: Othello, Love’s Labor’s Lost, Much Ado About Nothing, Twelfth Night, The Comedy of Errors, more. Other: Head of the M.F.A. Acting program at UC San Diego, Chair of the Mentorship Committee for Voice and Speech Trainers Association, over 35 years of teaching voice and coaching Shakespeare. Education: graduated with distinction from Royal Central School of Speech and Drama, designated Linklater teacher. Professional credits: La Jolla Playhouse, South Coast Rep, Yale Rep, Guthrie, Shakespeare Theatre Company, 16 seasons with Oregon Shakespeare Festival. 

Alaine Alldaffer, CSA 

(Casting) Casting Director for Playwrights Horizons; with Lisa Donadio: A Strange Loop (currently on Broadway), Grey Gardens (also Broadway), Clybourne Park (also Broadway), Circle Mirror Transformation (Drama Desk and Obie Awards for Outstanding Ensemble, Artios Award for casting), The Flick (also at Barrow Street Theatre). Television: ABC’s “The Knights of Prosperity” (aka “Let’s Rob Mick Jagger”). Regional theatre: Huntington Theatre Company, Studio Theatre, Williamstown Theatre Festival, Seattle Repertory Theatre, Berkeley Repertory Theatre, People’s Light, among others.

Marie Jahelka 

(Production Stage Manager) The Old Globe: Shutter Sisters, The Underpants, Native Gardens, The Wanderers, Powers New Voices Festival (2016–2018), Red Velvet, Dr. Seuss’s How the Grinch Stole Christmas! Regional: Once on This Island (Oregon Shakespeare Festival), Put Your House in Order, Hollywood, Ether Dome (La Jolla Playhouse), A Chorus Line (Moonlight Stage Productions), The Humans, Aubergine, Evita, Violet (San Diego Repertory Theatre), The Last Five Years, HIR, Shakespeare’s R&J, Mistakes Were Made (Cygnet Theatre Company), Hairspray, The Full Monty (San Diego Musical Theatre). Education: B.A. in Theatre Arts from University of San Diego.

Kendra Stockton 

(Assistant Stage Manager) The Old Globe: Trouble in Mind, Hair, Almost Famous, As You Like It, Ken Ludwig’s The Gods of Comedy, Familiar, Clint Black’s Looking for Christmas, Much Ado About Nothing, Benny & Joon, October Sky, Bright Star, Dog and Pony, Dr. Seuss’s How the Grinch Stole Christmas! (as production assistant). Regional: House of Joy (San Diego Rep), Home of the Brave, #SuperShinySara, Guards at the Taj, The Orphan of Zhao, The Who & The What (La Jolla Playhouse), The Loneliest Girl in the World (Diversionary Theatre), miXtape (Lamb’s Players Theatre), Irving Berlin’s White Christmas (San Diego Musical Theatre).

barry edelstein (Erna Finci Viterbi Artistic Director) is a stage director, producer, author, and educator. He has directed nearly half of the Bard’s plays. His Globe directing credits include The Winter’s Tale, Othello, The Twenty-seventh Man, the world premiere of Rain, Picasso at the Lapin Agile, Hamlet, and the world premiere of The Wanderers. He also directed All’s Well That Ends Well as the inaugural production of the Globe for All community tour. In January he oversaw the Globe’s inaugural Classical Directing Fellowship program. He recently directed The Tempest with the Los Angeles Philharmonic at Walt Disney Concert Hall. As Director of the Shakespeare Initiative at The Public Theater (2008–2012), Edelstein oversaw all of the company’s Shakespearean productions as well as its educational, community outreach, and artist-training programs. At The Public, he staged the world premiere of The Twenty-seventh Man, Julius Caesar, The Merchant of Venice, Timon of Athens, and Steve Martin’s WASP and Other Plays. He was also Associate Producer of The Public’s Broadway production of The Merchant of Venice starring Al Pacino. From 1998 to 2003 he was Artistic Director of Classic Stage Company. His book Thinking Shakespeare, which was rereleased in a second edition in June, is the standard text on American Shakespearean acting. He is also the author of Bardisms: Shakespeare for All Occasions. He is a graduate of Tufts University and the University of Oxford, where he studied as a Rhodes Scholar.

Timothy j. Shields (Audrey S. Geisel Managing Director) joined The Old Globe as Managing Director in 2017. In his time in San Diego, he has enjoyed becoming involved in the community. He currently serves as a board member of the San Diego Regional Chamber of Commerce’s LEAD program; an advisory board member of the San Diego Downtown Partnership; and Vice President of the Balboa Park Cultural Partnership. He brings to San Diego many decades of not-for-profit theatre experience. He was Managing Director of Princeton, New Jersey’s McCarter Theatre Center (2009-2017); Milwaukee Repertory Theater (1998–2009); and Geva Theatre Center in Rochester, New York (1992–1998). He has also held administrative positions at Children’s Theatre Company in Minneapolis, Denver Center Theatre Company, and McCarter Theatre Center in an earlier period of his career. He served as President of the League of Resident Theatres and as Vice President of the board at Theatre Communications Group. He has been the Chair of the ArtPride NJ board; a member of Milwaukee’s Latino Arts Board; and a board member of the Cultural Alliance of Greater Milwaukee. He holds a B.F.A. in Drama Production from Carnegie-Mellon University in his hometown of Pittsburgh, Pennsylvania.

Casting

Alaine Alldaffer, CSA
Lisa Donadio

taking Photos in the theatre

Audience members may take photos in the theatre before and after the performance and during intermission. If you post photos on social media or elsewhere, you must credit the production’s designers by including the names below.

Wilson Chin (Scenic Design)
@wilsonchindesign

Ásta Bennie Hostetter (Costume Design)

Stephen Strawbridge (Lighting Design)

Paul Peterson and Paul James Prendergast (Sound Design)

Please note: Photos are strictly prohibited during the performance. Photos of the stage are not permitted if an actor is present. Video recording is not permitted at any time in the theatre.

This theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the union of professional actors and stage managers in the United States.

The Directors are members of the Society of Stage Directors and Choreographers, an independent national labor union.

This Theatre operates under an Agreement with the International Alliance of Theatrical Stage Employees Local No. 122.

The Scenic, Costume, Lighting and Sound Designers in LORT Theatres are represented by United Scenic Artists Local USA-829, IATSE.

The musicians are represented by the American Federation of Musicians, Local 325 San Diego.

Special Thanks

Delicia Turner Sonnenberg

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